‘Do Paise Ki Dhoop Chaar Aane Ki Barish’ (‘Two pennies for sunshine and four cents for rain’), the directorial debut of the famous Indian actress-turned-filmmaker Deepti Naval, premiered at the 62nd Cannes Film Festival this year to a very warm reception. The film, which was also written and produced by Naval on a very tight budget, is, on the surface, the story of a struggling gay lyricist, an ageing prostitute and her physically challenged 12 year old son. But “it isn’t simply a film about gays and prostitutes. It is more essentially about the ebbs and tides of human relationships,” said Naval in an interview. “The idea was to present a modern, sensitive and realistic portrait of people struggling to find happiness.”
Friday, August 14, 2009
‘Do Paise Ki Dhoop Chaar Aane Ki Barish’ (‘Two pennies for sunshine and four cents for rain’), the directorial debut of the famous Indian actress-turned-filmmaker Deepti Naval, premiered at the 62nd Cannes Film Festival this year to a very warm reception. The film, which was also written and produced by Naval on a very tight budget, is, on the surface, the story of a struggling gay lyricist, an ageing prostitute and her physically challenged 12 year old son. But “it isn’t simply a film about gays and prostitutes. It is more essentially about the ebbs and tides of human relationships,” said Naval in an interview. “The idea was to present a modern, sensitive and realistic portrait of people struggling to find happiness.”
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